Hall Conservation Ltd


Staff

The Director and Senior Accredited Conservator in the company is Brian Hall who has more than 25 years of experience in the conservation of monuments, sculpture, decorative arts, arms and armour and architectural metalwork.

The company incorporates a multi-disciplinary team whose specialities include; conservation of metalwork, decorative surfaces, stone and organic objects, and traditional forge work and blacksmithing.

Hall Conservation Ltd. is professional, efficient and flexible, with an established network of experienced, skilled, independent conservators, blacksmiths, technicians and specialist consultants to call upon when needed.



Brian Hall

Brian

Job Title: Director/Senior Conservator
Accredited: Yes
Background: Specialises in the conservation and restoration of buildings, sculpture, fine, decorative and architectural metalwork. His career began in 1987 when he joined Naylor Conservation as an apprentice, training with Andrew and Janet Naylor and focusing on the conservation of public monuments and sculpture. In 1990 – 92 he attended Hereford College of Technology on the blacksmithing, restoration and allied trades course and once completed he returned to Naylor Conservation, then went on to work as a Blacksmith in Ironbridge.

In 1993 he joined Plowden & Smith Ltd, London, and was employed as the principal conservator responsible for large metalwork projects and sculpture. From 1997 to 2008 he worked as a freelance conservator, restorer and consultant, taking responsibility for many large projects.In 2008, Brian formed Hall Conservation Ltd which has become one of the leading conservation and restoration companies working in the UK. Clients include; Canterbury Cathedral, Historic Royal Palaces, The Royal Collection, World Heritage Edinburgh, Historic Scotland, several international contemporary galleries and private collectors.

Brian is also a Director and Council Member of the National Heritage Ironwork Group (N.H.I.G) a not for profit organisation set up in 2009. NHIG is dedicated to the safeguarding and preservation of wrought ironwork through promoting high standards of workmanship, conservation and repair.

 

Astrid Hall

DSCF3986Job Title: Director/Company Secretary
Training: Expert
Employment: History
Other Information: Other

 

 

 

 

 

 

Andrew Naylor

OLYMPUS DIGITAL CAMERAJob Title: Conservator
Accredited: Yes
Background: Trained initially as a sculptor at Leeds College of Art, he then spent four years working on the shop floor in the engineering industry in order to expand his technical skills in metalworking. He then taught sculpture and metalworking at Bradford College of Art for three years before setting up, in partnership with Janet Naylor, as the first independent conservators to establish a practice specialising in the conservation of public sculpture in metals. The practice, Naylor Conservation, until the two founding partners resigned, became established as leaders in the field.

Andrew and Janet continued to work in conservation as independent consultants and conservators until in 2009, Andrew joined Hall Conservation Ltd as a Director and Janet retired. In 2015 Andrew also retired as a Director but remains as an occasional advisor and freelance conservator.

Dissemination of information, training, communication and discussion has always been a feature throughout Andrew’s career, and is maintained formally by regular attendances as both speaker and delegate at conferences and seminars, as well as by way of numerous published papers. Formal and informal contact is maintained with leading museums, public bodies, other conservators and sculptors in the UK, Europe and USA.

Andrew is an assessor and mentor for the Institute of Conservation’s Professional Accreditation scheme, was a founder member of the Public Monuments and Sculpture Association and is a member of the NHIG council.

 

Alexi Iliev

IMG_0608Job Title: Conservator
Training: National Art Academy, Bulgaria, MA Conservation and Restoration, 1989-1994.
Employment: Freelance Conservator on Conservation and Restoration Projects. Plowden & Smith Ltd, Conserve Europe, Carthy Conservation Ltd, 1999-2008.
Other Information: Member of Bulgarian Association of Art/Conservation and Restoration 1995-present.

 

 

 

 

 

 

 

Katrina Redman

Katrina weldingYear Of Joining Practice: 2011
Job Title: Conservator
Background: Trained initially in Archaeology and Egyptology at the University of Liverpool. After completing a module in conservation Katrina decided to take her training further and specialise in the Conservation of Historic Objects at the University of Lincoln. After leaving Lincoln she went on to work at the National Conservation Centre, Liverpool, as a trainee sculpture conservator where she worked on the Chinese Arch project. Following this she moved to Edinburgh to work at Lothian Health Services Archive, where she worked with a fellow conservator cleaning and rehousing 88,000 medical case notes, and also surveyed and worked on the archives object collection.

In order to further her career in metals conservation, Katrina applied for and was awarded an ICON internship in the conservation of archaeological, historic and modern metals. Following this she decided to specialise in metals conservation and attended the West Dean College metals conservation course where she gained a postgraduate diploma with distinction. Since leaving West Dean, Katrina has worked for Hall Conservation Ltd and is now working towards her accreditation.

 

 

 

 

Joe Coombes-Jackman

Joe

Year Of Joining Practice: 2014
Job Title: Blacksmith and Conservator
Background: Joe studied at Hereford College of Arts, graduating with a degree in artistic blacksmithing in 2014. With a keen interest in traditional and historic metal work throughout his degree, Joe decided to go down the heritage and conservation blacksmithing path after graduating and took up a position with Hall Conservation Ltd.

In 2015 Joe applied and was accepted on the William Morris Craft Fellowship which is run by The Society for Protection of Ancient buildings (S.P.A.B). This has given him the chance to travel the country and spend time with architects, engineers and craftspeople to improve his knowledge of associated crafts and to gain further knowledge in the field of conservation.